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These many pages feature the independent musicians we encounter in our travels throughout the season. The artists that have poured their unique vision and experience into the performances you will find no-where else, except live and on stage at the Fairs and Festivals, the Celtic Music venues we treasure.
Statement: I am a visual artist. I cannot remember a time I envisioned a piece of art, one that would enslave my imagination and capture my every creative thought, until I had applied the best of my talent to a chosen canvas: done, exhausted. I have been fortunate in the many ways my art has been accepted, the feeling that I had touched someone with a new thought or common feeling, inspired by the piece.
It is my experience that music, as I imagine it as a visual art form, cannot more fully fill a room with art. There is no other form of art more intimate between a performer and their audience. Without the musician, this craft would be mute.
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Often, the term Celtic music is applied to the music of Ireland and Scotland because both lands have produced well-known distinctive styles which actually have genuine commonality and clear mutual influences. The definition is further complicated by the fact that Irish independence has allowed Ireland to promote 'Celtic' music as a specifically Irish product. However, these are modern geographical references to a people who share a common Celtic ancestry and consequently, a common musical heritage.
These styles are known because of the importance of Irish and Scottish people in the English speaking world, especially in the United States, where they had a profound impact on American music, particularly bluegrass and country music. The music of Wales, Cornwall, the Isle of Man, Brittany, Galicia, Cantabria and Asturias (Spain) and Portugal are also considered Celtic music, the tradition being particularly strong in Brittany, where Celtic festivals large and small take place throughout the year, and in Wales, where the ancient eisteddfod tradition has been revived and flourishes. Additionally, the musics of ethnically Celtic peoples abroad are vibrant, especially in Canada and the United States. In Canada the provinces of Atlantic Canada are known for being a home of Celtic music, most notably on the islands of Newfoundland, Cape Breton and Prince Edward Island. The traditional music of Atlantic Canada is heavily influenced by the Irish, Scottish and Acadian ethnic makeup of much of the region's communities. In some parts of Atlantic Canada, such as Newfoundland, Celtic music is as or more popular than in the old country. Further, some older forms of Celtic music that are rare in Scotland and Ireland today, such as the practice of accompanying a fiddle with a piano, or the Gaelic spinning songs of Cape Breton remain common in the Maritimes. Much of the music of this region is Celtic in nature, but originates in the local area and celebrates the sea, seafaring, fishing and other primary industries.
There is also tremendous variation between Celtic regions. Ireland, Scotland, and Brittany have living traditions of language and music, and there has been a recent major revival of interest in Wales, Cornwall and the Isle of Man. Galicia has a Celtic language revival movement to revive the Q-Celtic Gallaic language used into Roman times. Most of the Iberian Peninsula had a similar Celtic language in pre-Roman times. A Brythonic language was used in parts of Galicia and Asturias into early Medieval times brought by Britons fleeing the Anglo-Saxon invasions via Brittany. The Romance language currently spoken in Galicia, Galician (Galego) is closely related to the Portuguese language used mainly in Brazil and Portugal. Galician music is claimed to be Celtic. The same is true of the music of Asturias, Cantabria, and that of Northern Portugal (some say even traditional music from Central Portugal can be labeled Celtic).
The oldest musical tradition which fits under the label of Celtic fusion originated in the rural American south in the early colonial period and incorporated Scottish, Scots-Irish, Irish,Welsh, English, and African influences. Variously referred to as roots music, American folk music, or old-time music, this tradition has exerted a strong influence on all forms of American music, including country, blues, and rock and roll. In addition to its lasting effects on other genres, it marked the first modern large-scale mixing of musical traditions from multiple ethnic and religious communities within the Celtic diaspora.
In the 1960s several bands put forward modern adaptations of Celtic music pulling influences from several of the Celtic nations at once to create a modern pan-celtic sound. Later, beginning in 1982 with The Pogues' invention of Celtic folk-punk and Stockton's Wing blend of Irish traditional and Pop, Rock and Reggie, there has been a movement to incorporate Celtic influences into other genres of music. Bands like Flogging Molly, Black 47, Dropkick Murphys, The Young Dubliners, The Tossers introduced a hybrid of Celtic rock, punk, reggae, hardcore and other elements in the 1990s that has become popular with Irish-American youth.
Today there are Celtic-influenced sub genres of virtually every type of popular music including electronica, rock, metal, punk, hip hop, reggae, new-age, Latin, Andean and pop. Collectively these modern interpretations of Celtic music are sometimes referred to as Celtic fusion.
"Celtic music." Wikipedia. [https://en.wikipedia.org/wiki/Celtic_music]. 9 December 2022. web.